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28.03.2012 - Shabina (LtbriZuFnqzQ)
I believe Hollywood is aiktng a cue from the modern news media, not only in a ripped-from-the-headlines subject matter, but also in the degree to which the crimes themselves are portrayed on screen. As more nasty details are featured on the evening news, I think the numbing effect that Matt Travis spoke of forces Hollywood to new graphic heights (or depths in this case). Also, these movies allow us as a group to vicariously punish the offenders that have made victims of our women. Usually we are able to sacrifice these deviants in the most satisfying fashion as slugs from the protagonists pistol put the offender down for good. I think sex-crime movies in the procedural category that Neal King spoke of can offer us valuable insights into what people want to see in their films. But the most powerful or helpful sex crime movies are not the ones that offer up a gross characterization of a rapist from whom the audience can easily and safely distance themselves. The good ones are the ones that ask the audience the big questions about their subject matter. Films like Happiness that ask if we can ever really know whose house our children are sleeping at, or films like The Accused or A History of Violence (here Im thinking of the staircase scene) that ask where we draw the line on what actually constitutes a sex crime.

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